| # | Fact |
|---|
| 1 | Died the day after Charles Chaplin. |
| 2 | Despite his collaborations and associations with politically outspoken stars, such as the famously right-wing John Wayne or the left-wing Humphrey Bogart, Hawks himself remained resolutely apolitical throughout his life. |
| 3 | Was the uncredited "ghost director" on the science-fiction classic The Thing from Another World (1951), for which his longtime editor and friend Christian Nyby received sole credit. It was only near the end of Hawks' life that both he and Nyby conceded that he had indeed directed most of the film, as had long been rumored. On the other hand, several of the film's cast members, including Kenneth Tobey and James Arness, were adamant in interviews that Nyby did in fact direct the film by himself, although Hawks--as the film's producer--did have input. |
| 4 | Directed three of the American Film Institute's 100 Funniest Movies: Bringing Up Baby (1938) at #14, His Girl Friday (1940) at #19 and Ball of Fire (1941) at #92. |
| 5 | Served in the US Army Signal Corps during World War I. |
| 6 | As of the fifth edition of "1001 Movies You Must See Before You Die" (edited by Steven Schneider), 11 of Hawks' films are included, second only to Alfred Hitchcock in abundance. The films are: Scarface (1932), Bringing Up Baby (1938), Only Angels Have Wings (1939), His Girl Friday (1940), Sergeant York (1941), To Have and Have Not (1944), The Big Sleep (1946), Red River (1948), The Big Sky (1952), Gentlemen Prefer Blondes (1953) and Rio Bravo (1959). |
| 7 | John Wayne gave the eulogy at his funeral. |
| 8 | Of all the famous actresses he directed, he considered Frances Farmer the best he ever worked with. He directed her in Come and Get It (1936). Hawks was also very fond of Barbara Stanwyck, Carole Lombard and Rosalind Russell. |
| 9 | Even though he was one of the most prolific directors of his generation, having directed five actors to Oscar nominations, he himself has only been nominated for an Academy Award once. |
| 10 | Hawks had said in interviews that he was supposed to direct the now-beloved Casablanca (1942) and Michael Curtiz was meant to direct Sergeant York (1941). However, the two directors had lunch together and Curtiz complained that he knew nothing about the "hill people", while Hawks was struggling to make this "musical comedy", so they switched films. Hawks said that he always considered "Casablanca" a musical comedy because of the number of singing scenes in the café, namely the "La Marseillaise" scene. Later, Hawks said that Curtiz shot the film "beautifully and the whole picture came out different because of the two people in it [Humphrey Bogart and Ingrid Bergman]. They made you believe something. When I saw 'Casablanca' I liked it, but I never had any faith in my doing anything like that." (Source: "Who the Devil Made it..." by Peter Bogdanovich). |
| 11 | His uncredited voice is used during the opening credits of Monkey Business (1952). The off-screen voice twice says, "Not yet, Cary," when Barnaby (Cary Grant) opens his front door to come outside. |
| 12 | Is portrayed by Ross Elliott in Bogie (1980), by Howard Platt in Norma Jean & Marilyn (1996) and by Adam Roarke in Hughes and Harlow: Angels in Hell (1977) |
| 13 | Interviewed in Peter Bogdanovich's "Who the Devil Made It: Conversations With Robert Aldrich, George Cukor, Allan Dwan, Howard Hawks, Alfred Hitchcock, Chuck Jones, Fritz Lang, Joseph H. Lewis, Sidney Lumet, Leo McCarey, Otto Preminger, Don Siegel, Josef von Sternberg, Frank Tashlin, Edgar G. Ulmer, Raoul Walsh." NY: Alfred A. Knopf, 1997. |
| 14 | He was presented with an honorary Oscar for lifetime achievement by his friend John Wayne at the 1974 Academy Awards ceremony. |
| 15 | One of his distant cousins, Elizabeth Ellen Robinson, was the mother of Mary Gish and grandmother of Lillian Gish and Dorothy Gish. |
| 16 | Attended Throop Polytechnic Institute (which later become the California Institute of Techonology) and the Phillips Academy (a prep school). Later studies engineering at Cornell University. His biographer, Todd McCarthy, wrote that his educational experiences were a very important factor in the formation of his studied character, which he brought to his films, as well as every other endeavor in his life. |
| 17 | Is portrayed by James Cahill in Will There Really Be a Morning? (1983) |
| 18 | Is portrayed by Ivan Bonar in Rita Hayworth: The Love Goddess (1983) |
| 19 | Brian De Palma dedicated Scarface (1983), his remake of Hawks' Scarface (1932), to him. |
| 20 | Directed five different actors in Oscar-nominated performances: Walter Brennan, Gary Cooper, Margaret Wycherly, Barbara Stanwyck and Arthur Hunnicutt. Cooper and Brennan won Oscars for their performances in one of Hawks' movies. |
| 21 | He never got over the plane crash death of his brother Kenneth Hawks of whom, Howard later said, probably had the potential to be an even greater filmmaker than himself. Nonetheless, he continued to fly after his brother's death and went on to shoot many films about pilots. |
| 22 | Many aspects of Lauren Bacall's screen persona in To Have and Have Not (1944), her film debut, were based on Hawks' wife at that time, Slim, including her glamorous dresses, long blonde hair, smoky voice and demure, mysterious demeanor. Humphrey Bogart's character also refer to Bacall by the nickname "Slim" in the movie. |
| 23 | His son, Peter John Ward Hawks, was born to wife Athole on July 31, 1924, and adopted by Howard in 1928. Son David Winchester Hawks was born October 9, 1929. Daughter Barbara born May 20, 1936. Daughter Kitty Stephen Hawks born February 11, 1946. Son Gregg born October 22, 1954. |
| 24 | Worked in a plethora of genres over the course of his career, including westerns, screwball comedies, film noirs, action/adventures, period epics, war dramas, racing films, science-fiction, and gangster pictures. |
| 25 | Frequently worked with William Faulkner. Faulkner wrote or co-wrote many of Hawks' films. |
| 26 | Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945." Pages 446-451. New York: The H.W. Wilson Company, 1987. |
| 27 | Was voted the 4th greatest director of all time by Entertainment Weekly. (April, 1996) |
| 28 | Quentin Tarantino said that Hawks' Rio Bravo (1959) may be his favorite movie of all time. |
| 29 | He was an infamous teller of tall tales, usually ones where he exagggerated his already considerable involvement in the making of his films and ones where he sounded like a tough guy (punching producers, etc.) |
| 30 | Hawks' friend John Ford called him "The Grey Fox" of Hollywood for his womanizing ways (regardless of whether he was married or not at the time). |
| 31 | Hawks' wife saw Lauren Bacall on the cover of a magazine and persuaded him to put her in the movies. Bacall was only 20 when she made her screen debut in To Have and Have Not (1944). |
| 32 | Brother of William B. Hawks, brother-in-law of Bessie Love. |
| 33 | To build their New England-style home, Hawks' wife Slim used the set plans from his film Bringing Up Baby (1938). |
| 34 | Cousin-in-law of Clark Gable. |
| 35 | Brother-in-law of Eden Hartford. |
| 36 | Father-in-law of producer Ned Tanen. Ned Tanen married Kitty Hawks (daughter of Howard Hawks). They divorced in 1983. |
| 37 | Cousin-in-law of William Powell, brother-in-law of Douglas Shearer and Norma Shearer, son-in-law of Edith Shearer. |
| 38 | Brother-in-law of Mary Astor. |
| 39 | Second cousin of actress Carole Lombard. |
| 40 | Ashes scattered in the desert near Calimesa, California. |
| 41 | Brother of Kenneth Hawks. |
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